Bright Expressionism

There are emotions that words cannot contain. Inner shades that ask to be released not explained, but felt, touched, seen.

That’s where my painting begins. I don’t aim to depict reality.

I aim to transform life itself into something that can be held, breathed, experienced.

Each painting is an open field where joy and pain, chaos and stillness, memory and hope meet.

I call this approach Bright Expressionism: a visual and sensorial exploration of human existence, expressed through color, texture, and the tension between spontaneous gesture and slow construction.

My goal has never been to imitate, but to carve emotions into the canvas by any means necessary.

Oil is my main medium, but my process is radically open. Depending on the moment, I use fluid acrylics, spray paint, natural pigments, marble dust, gesso, mica, metallic leaves, and glitter.

My tools change constantly: brushes, fingers, spatulas, fabric, wooden sticks, cloth. There is no hierarchy, no rule only what serves the emotional truth of that moment.

Texture plays a central role in my work: it is not decoration, it is evidence.
Scratches, build-ups, abrasions, carvings each layer records a passage, a gesture, a resistance.

Sometimes I add, sometimes I remove.
The painting is alive. It breathes with me.
My works include landscapes, human figures, animals, and abstract elements. The subject doesn’t matter what matters is the transformation.

Anything can become a symbol, an echo, a manifesto. What begins as form dissolves into energy. What was once matter becomes vision.

Bright Expressionism is an invitation to feel every emotion fully, and then let it go transformed.

It is a practice of presence. A way to honor vulnerability, strength, and the raw, imperfect beauty of being human.
My painting does not impose; it receives, it processes, it transforms.